‘It shows how taste changes,’ Francesco Bonami explained while gesturing to a gaudy Julian Schnabel painting he says they thought was ‘forever.’ ‘It was not,’ he concluded succinctly.
He’s mostly right, though after a while, the velvet painting began to remind me of the slightly crooked tooth an old boyfriend never had corrected. Objectively the tooth was unattractive, but I grew to find it cute nonetheless.
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